I am Assistant Professor in Radio/TV/Film at Northwestern University. I am co-editor of “Performing Refusal/Refusing to Perform,” a special issue of Women & Performance. My teaching and research focus on world cinema and experimental film, postcolonial theory, feminist theory, and queer theory. My current book project addresses the ways in which feminist documentary artists from South Asia experiment with cinematic form in order to imagine a radical postcolonial ethics. My academic writing has been published in journals including Camera Obscura, New Review of Film & Television, and Art History, and I have contributed reviews and criticism to venues including Seen, Public Books, and Post45. I have programmed film and video at venues including BRIC Arts, AS220, and Magic Lantern Cinema.
In a few words, explain what drew you to this project.
I’m broadly interested in forms of postcolonial queer and feminist world-making in the midst of our ongoing catastrophes. In my own writing, I’ve focused on artists whose practice pays attention to the shared vulnerability and intimacy that develops when we lie down together and fall asleep. At the same time, I’m also thinking through the political questions raised by this basic intimate act, including issues of homelessness, laws against loitering, and the policing of bodies occupying public space in ways deemed unproductive and unlawful for the state. I’m excited to think more expansively about these questions through the interdisciplinary approaches raised by everyone affiliated with this project.